The Serpentine Gallery London has just launched ist much anticipated and internationally acclaimed architectural Programme of 2016 – staging the iconic Serpentine Pavilion as well as four newly introduced commissioned Summer Houses.
The main project – Serpentine Pavilion – is designed by Bjarke Ingels Group (BIG) conceived as an ‘unzipped wall’ that is transformed from straight line to three-dimensional space, creating a dramatic structure that by day houses a café and free family activities and by night becomes a space for the Serpentine’s acclaimed Park Nights programme of performative works by artists, writers and musicians.
Bjarke Ingels states: „We decided to work with one of the most basic elements of architecture: the brick wall. Rather than clay bricks or stone blocks, however, the wall is erected from pultruded fibreglass frames stacked on top of each other. The wall is then pulled apart to form a cavity within it, to house the events of the Pavilion’s programme. This unzipping of the wall turns the line into a surface, transforming the wall into a space. “
Apart from the Pavilion four architects have been commissioned to each design a 25sqm Summer House. These Summer Houses are inspired by the nearby Queen Caroline’s Temple, a classical style summer house, built in 1734 and a stone’s throw from the Serpentine Gallery. In line with the criteria for the selection of the Pavilion architect, each architect chosen by the Serpentine has yet to build a permanent building in England.
Kunlé Adeyemi’s Summer House is an inverse replica of Queen Caroline’s Temple – a tribute to its robust form, space and material, recomposed into a new sculptural object. Barkow Leibinger were inspired by another, now extinct, 18th Century pavilion also designed by William Kent, which rotated and offered 360 degree views of the Park. Yona Friedman’s Summer House takes the form of a modular structure that can be assembled and disassembled in different formations and builds upon the architect’s pioneering project La Ville Spatiale (Spatial City) begun in the late 1950s. Asif Khan’s design is inspired by the fact that Queen Caroline’s Temple was positioned in a way that would allow it to catch the sunlight from The Serpentine lake.
The Serpentine Pavilion
and Summer Houses 2016
Serpentine Gallery, Kensington Gardens
ART & DESIGN FAIRS
ART BASEL 14 JUN/ 17 JUN
FRIEZE LONDON 04 OCT/ 07 OCT
FIAC PARIS18 OCT/ 21 OCT
PARIS PHOTO 08 NOV/ 11 NOV
SCOPE MIAMI 04 DEZ/ 09 DEZ
DESIGN MIAMI 05 DEZ/ 09 DEZ
ART BASEL MIAMI 04 DEZ/ 09 DEZ